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FROM THE SOUTH-WEST CORRESPONDENT…THREE SLICES OF PERFECTION

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Last week, JC posted an excellent piece about Manchester which praised the efforts of some of the less well known bands in that particular scene. So I thought as it was still current I would mention one more, they also have a song which I think is a classic.

The Paris Angels were a seven piece band that hailed from Ashton Under Lyme, which I’m told is near Manchester, and they formed in 1989. They quickly got lumped into the Manchester scene and you can understand why. They mixed indie guitars with a ravey electronic sound and sounded heavily influenced by the acid house scene that was massive in Manchester at the time.

The band revolved around Paul ‘wags’ Wagstaff whose Ian Curtis style vocal can be heard on many of their records. Wags went on to feature in Black Grape and the reformed Happy Mondays when the Paris Angels eventually gave up making records (largely because was Virgin was sold to EMI) In 1990 they released the first of todays picks, ‘Perfume (All on You)’ – this combined a sound that many of the also ran Manchester bands like Northside and Rain had been looking for (and ultimately failed to produce). A sound that perhaps combined the bits of Joy Division and New Order that we all loved with that more traditional baggy sound that the Happy Mondays were doing so well.

Now the ‘Madchester’ scene (that is the only time I am typing that) produced some terrific records, ‘Fools Gold’, ‘Wrote For Luck’, ‘Commercial Rain’ to name three brilliant examples but none of them, come anywhere close to this record.

It sums up everything about that era.

Everything.

And if you need more evidence, other than just listening to the bloody record and realising it there and then, there is a video of this song kicking around on You Tube (other less evil streaming services are available). It’s basically the band in what looks like an empty classroom playing this song whilst their mates and a few hangers-on stand around, by the end everyone is dancing. There is a shot about half way through where the camera pans to the face of the female singer (Jane Gill?) and she is just grinning like a loved up Cheshire Cat. She knows that what she is doing as she dances (pretty badly if I’m honest, and that is rich coming from Kermit in a Blender Man) and shakes her maracas (not an euphemism, watch the video, you filthy minded buggers), I know exactly what she is thinking and that is ‘Yes’.

This record peaked at Number 55 in the UK chart. ‘Take 5’ by Northside got to Number 40. ‘The Only Rhyme that bites’ by MC Tunes and 808 State went Top 20 for goodness sake. There is no justice.

mp3 : The Paris Angels – Perfume (Loved Up)

Moving on, and on a similar vein to ‘grunge’, or American alt rock as its properly called.

Like the Manchester scene there were loads of great records from that era that perhaps now define the sound. Most notably Nirvana’s ‘Smells Like Teen Spirit’ and Pearl Jam’s dreadful ‘Alive’ (in fact anything by Pearl Jam is dreadful, over rated pile of cock if you ask me), but the one record that should have got the worlds attention and didn’t (apart from Buffalo Tom) was ‘Hyper Enough’ by Superchunk.

Superchunk were formed in 1989 and came from the same town as Ben Folds Five if my memory serves me correctly. The lead singer and main guitarist was one Mac McCaughan and were originally named Chunk (the legend has it that the drummers’s – Chuck Garrison – name was spelt as Chunk Garrison in the phone book and it kind of stuck – brilliant if true).

They were made to change it by the well-known avant jazz band of the same name (yeah, I can’t stop playing avant jazz records by Chunk today) so they added the word ‘Super’. After the release of their first album Mac McCaughan left the band and new vocalist James Wilbur came in – ironically drummer Chuck Garrison left shortly after as well.

In 1995 they released ‘Hyper Enough’ and it perhaps that they released their best moment after the grunge fad had died down that they didn’t achieve the massive success that they deserved. It comes from the album ‘Here’s where the Strings Come In’ which I think is the bands most commercial release, considering their first single was called ‘Slack Motherfucker’ that isn’t hard.

mp3 : Superchunk – Hyper Enough

‘Hyper Enough’ is the sound of band enjoying themselves, it has the catchy riff running through it that gels the song together and it has a vocal yelp that half screams half pleads with you to scream along with it. The band’s website has loads of older Superchunk stuff available for free download if you like what you hear, I’d recommend you pay it a visit.

Finally we come to a band that I have mentioned before, a band that I love and have struggled to pick one song that should have been a springboard to superstardom. This is mainly because every single one of their records should have been a Top 5 hit at the very least and I will not listen to any arguments.  I will literally be here all day if I sit and write about this band, a band so under rated and criminally ignored that you can’t even download their songs on Amazon.

A band that were once described by Thurston Moore of Sonic Youth as the Best Band Britain has ever produced (he obviously never heard Leatherface).

A band who once got threatened with legal action by Michael Portillo.

So I’m not going to say anything at all.

Apart from Ladies and Gents, this is ‘Steamroller’ by The Family Cat and it is very nearly seven minutes of absolute perfection. (the link is to the original scratchy vinyl version of Steamroller – I hope its ok, if not comment and I’ll post the CD version which is probably better next week).

mp3 ; The Family Cat – Steamroller

Thanks for reading

S-WC

AS SEEN OVER AT THE OLD PLACE : FEBRUARY 2007 (1)

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Interesting that this month saw me chastise myself for spending so much time writing live reviews and featuring stuff on CD singles.  The purist in me came up with a week-long series entitled going back to my roots which would be vinyl, vinyl, vinyl all the way Here’s a summary version of each post :-

Monday 5 February

From The Cost of Living EP, a re-working of the song Capital Radio along with an additional 45 seconds tagged on at the end…..a little Clash-mercial pleading with everyone to get down to their nearest Clash showroom

So here’s all 04 minutes and 05 seconds of:-

mp3 : The Clash – Capital Radio (Cost Of Living EP version)

Tuesday 6 February

Looking in the vinyl cupboard for something to show that there’s more than just twee-pop bands and the collective works of lesser-known Scottish geniuses living in there. And I found a 12″ single which, in the true spirit of TVV, put up a fantastic remix version that was available only on the reverse side:

mp3 : Senser – Eject (Over Zealous Mix)

Wednesday 7 February

Back in 1992, I bought a 12” single from a clearance/bargain bin in a record shop in Edinburgh for 99p. While it did reach No.32 in the charts, it was a record that was deleted shortly afterwards, never to appear again. It wasn’t included on the 1993 LP Modern Life Is Rubbish, nor was it included on the CD of the Greatest Hits package Blur released in 2000.

mp3 : Blur – Popscene

Thursday 8 February

So many things were going on in my life at the end of the 80s and beginning of the 90s that I wasn’t able to keep up with much new music.  Jacques the Kipper, aware of my fondness for what became known as Madchester, would periodically throw in my direction a rectangular box containing a cassette tape (young people – activate your google search now). Said cassette tape contained 90 minutes worth of songs, many of which I became very fond, not least today’s offering.

Fast forward to January 2007. A work colleague, on learning that I had started the blog, handed over around 15-20 records that he no longer wanted. Tucked away in the middle of the pile was this, and on the small indie label the band started out on:

mp3 : Paris Angels – All On You (Perfume)

Friday 9 February

I’m up late cos I can’t sleep. I never can when Mrs Villain is working away overnight. Right now she’s in Manchester on behalf of her company for a presentation to an important client just 24 hours after a previous presentation to a would-be client here in Glasgow who are likely to turn her down. Bastards.

So I thought I’d end my five days of postings from the original vinyl with the one song that always make me think of her.

There we were at a Carter USM gig at Barrowlands, Glasgow in the early 90s – me, Mrs Villain and Jacques the Kipper. Us blokes being experienced moshers felt it was just a bit too crazy with all those young folk being awfully lively down the front, so we were strategically placed just left-of-centre maybe halfway back.

Then the opening notes of today’s song came through the speakers.

DAH-DAH-DAH-DAH-DAAAAAAAH

And before the same notes were repeated prior to the crashing guitars, Mrs Villain had gone….right down into the melee. I was gobsmacked. But I left her to it – we hadn’t long drawn up wills leaving all our possessions to one another.

5 and a bit minutes later she came back, drenched in sweat but with the most fantastic grin on her face.

So this is her song.

mp3 : Carter USM – Bloodsport For All

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