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SATURDAY’S SCOTTISH SONG : #47 : CAMERA OBSCURA

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Camera-Obscura

Camera Obscura are among the favourite bands of my good friend Aldo. He’s been promising me an ICA for about nine months now…maybe this will provide the impetus.

From all music:-

Pairing bright and clever retro-styled melodies with smart, witty lyrics and a sense of style that is sleek but lived-in at the same time, Camera Obscura are a Scottish indie pop group who became one of the most celebrated acts on the U.K.’s twee pop scene, while also displaying a pronounced country influence in their more low-key numbers.

Hailing from Glasgow, Camera Obscura were formed in 1996 by lead vocalist and guitarist Tracyanne Campbell, percussionist John Henderson, and bassist Gavin Dunbar. After playing out with a handful of guest musicians, Camera Obscura expanded to a quartet with the addition of guitarist David Skirving, and in 1998, the group issued their first single, “Park & Ride” on the indie Andmoresound label. In 2000, Lee Thompson joined Camera Obscura as their full-time trap drummer, and Lindsay Boyd signed on as keyboard player.

In 2001, Skirving left the band, and Kenny McKeeve became their new guitarist. As they became better known, they were frequently compared to Belle and Sebastian, and B&S leader Stuart Murdoch was recruited to produce their debut album, 2001’s Biggest Bluest Hi-Fi. The album earned praise from influential BBC disc jockey John Peel, who invited the group to record a live session for broadcast on his show, and the single “Eighties Fan” became a modest hit. In 2002, Lindsay Boyd parted ways with Camera Obscura and Carey Lander took her place behind the keyboards, while Nigel Baillie also joined the band, handling trumpet and percussion.

2003 saw the release of the band’s second album, Underachievers Please Try Harder, followed by an international tour covering Great Britain, Ireland, and the United States; in the wake of the tour, John Henderson left the group. In 2004, Camera Obscura recorded another session with John Peel, one that saw the band debuting special new material, as Peel had invited them to set several poems by Robert Burns to music. The group’s third studio album, Let’s Get Out of This Country, was released in June 2006, and features one of the band’s most popular tunes, an answer song to Lloyd Cole titled “Lloyd, I’m Ready to Be Heartbroken”.

In 2009, Camera Obscura were signed by the celebrated U.K. label 4AD, and they released their first album for it, My Maudlin Career, in April of that year. The success of the single “French Navy” helped push the album into the Top 50 of the U.K. album charts, and the Top 100 of the American album surveys. The year saw another lineup change for Camera Obscura, as Nigel Baillie left the band to spend more time with his new family.

In 2013, the band released their second album for 4AD, Desire Lines, which was produced by Tucker Martine, best known for his work with the Decemberists and My Morning Jacket. The album achieved commercial success similar to that of My Maudlin Career, but it also preceded the end of an era for the group.

In 2015, Camera Obscura canceled a tour of the United States when it was learned Carey Lander had been diagnosed with osteosarcoma, a form of bone cancer. Lander’s bandmates rallied around her, helping support an online campaign to raise both funds for treatment and awareness of the disease, but on October 11, 2015, cancer claimed Lander’s life. After her passing, Tracyanne Campbell posted a message on social media, declaring, “(Lander) didn’t leave the band. She left her body. She’s still in the band. Right!”

It is also worth mentioning that a fundraising effort by Carey for Sarcoma UK raised over £100,000 with more than 4,000 separate donations.

Here’s one of their earliest and most enduring songs.

mp3 : Camera Obscura – Eighties Fan

Enjoy.

R.I.P. Carey.

MY FRIENDS ELECTRIC (4)

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Most bloggers are blokes…..its an undeniable fact. But some of the best and most enthusiastic bloggers are from the fairer sex as perfectly demonstrated by today’s Friend Electric.

Last week’s posting from Matthew highlighted that some bloggers had subsequently been able, through their talents, to carve out some sort of career in mainstream journalism and the talents and brains behind Last Year’s Girl is a fine example of this.

It’s probably easier just to cut’n’paste from the ‘About’ section of what should more accurately be described as a website rather than a blog:-

According to Wikipedia, that first port of call for general knowledge and pub quiz answers in the information age, the term “blog” was first coined in 1999. Curiously that’s when I began blogging myself, although I’d never have given those early teen-angst fuelled online diaries so lofty a title. My blogging is as old as blogging! That’s actually pretty neat.

I’m 31 and still can’t walk in heels. Apparently, this is actually due to being born with flat feet and not, as I previously suspected, because I’m not graceful. I live in Glasgow, in the west of Scotland; with a boy I met on Myspace, two rambunctious kittens called Scooter and The Big Man and our monkey companion Moriarty. We got married in 2010, which was hilarious.

I describe myself as a journalist by profession because every time I’ve considered doing something else I’ve realised that I’d still have to blog about it when I got home. At the moment I’m using my Masters in the subject alongside my law degree, writing content for the online news resource of a top UK law firm. After hours I write for all sorts – generally on music – such as national arts site The Arts Desk, The Herald and Is This Music?

My friend Tyler once described me as having “Clarkson Syndrome: she hates everything.” He meant it as a compliment, which is fine because I took it as one. I think that tells you everything you need to know about my personality.

I adopted Last Year’s Girl as an online handle in 2003, when Jesse Malin sang it at me from the stage in King Tut’s (it’s a lyric from his song “TKO”). I’ve blogged here on my own domain since 2005: mostly about music, media law and overpriced make-up. Big hugs to my Web Hedgehog for tech support and things.

Oh, and you can call me Lis, and email me ; lisamarie@pixlet.net.

Last Year’s Girl is actually a bit like a quality on-line newspaper – you click on the home page and you are immediately given the option of visiting a load of sections as well as the chance to listen to Last Year’s Girl Radio. It’s not simply about music either….the current headings as I look at the page include What’s On Glasgow, Feminism, Fashion and #team14; the latter is primarily about the cultural programme which is supporting the staging of the 2014 Commonwealth Games here in Glasgow (an event which my day job is very heavily linked to and why July is such a busy month).

There’s also a section where Lis highlights gigs she has either been to or is looking forward to – one visit there and you will soon see that we have a habit of bumping into one another at music venues on a regular basis.

Last Year’s Girl comes very highly recommended and is written by one of the nicest and most affectionate people on the planet and who in recent weeks has even gotten herself on a new locally, based television studio as a reviewer. Maybe it won’t be too long till she’s famous to a wider audience – she deserves it.

These tunes are for you Lis:-

mp3 : Heavenly – Atta Girl
mp3 : Camera Obscura – Modern Girl
mp3 : BMX Bandits – The Next Girl
mp3 : Aztec Camera – Orchid Girl